The Exorcist (1973) is one of those horror films that sticks with you long after the credits roll. It sets itself apart with an eerie, slow-building tension rather than relying on cheap scares. The story follows a young girl who begins exhibiting disturbing behavior, leading her mother to seek help from both medical professionals and, eventually, the church. The plot is simple but highly effective, creating an unsettling atmosphere that feels grounded in reality. It doesn’t waste time on unnecessary subplots, keeping the focus tight and the tension high.
William Friedkin’s direction is masterful, balancing realism with the supernatural in a way that makes everything feel disturbingly possible. The opening in the desert is a great example, setting up the film’s themes with a quiet unease before shifting to the main story. The cinematography reinforces the horror without feeling over-stylized, using dim lighting, tight framing, and cold color tones to build dread. The way the camera lingers just long enough on certain shots makes you feel like you’re watching something you shouldn’t be.
The acting is phenomenal across the board, but the standout performance is from Linda Blair as the possessed girl. She delivers a chilling performance that makes the supernatural feel shockingly real. Ellen Burstyn and Max von Sydow bring depth to their roles, adding weight to the film’s emotional core. The dialogue feels natural, which makes the disturbing moments hit even harder. The script is smartly written, giving just enough exposition without over-explaining, letting the horror unfold naturally.
The sound design and score elevate the entire experience. The use of silence is just as effective as the unsettling sounds that creep in at the right moments. The film’s signature theme, Tubular Bells, is simple yet haunting, perfectly setting the tone for the film. The shock scenes are well-timed and never feel excessive, keeping the horror grounded rather than over-the-top. The Exorcist still holds up today as one of the most well-crafted horror films ever made, blending strong storytelling, unsettling direction, and incredible performances into something unforgettable.Read more
The Exorcist (1973) is one of those horror films that sticks with you long after the credits roll. It sets itself apart with an eerie, slow-building tension rather than relying on cheap scares. The story follows a young girl who begins exhibiting disturbing behavior, leading her mother to seek help from both medical professionals and, eventually, the church. The plot is simple but highly effective, creating an unsettling atmosphere that feels grounded in reality. It doesn’t waste time on unnecessary subplots, keeping the focus tight and the tension high.
William Friedkin’s direction is masterful, balancing realism with the supernatural in a way that makes everything feel disturbingly possible. The opening in the desert is a great example, setting up the film’s themes with a quiet unease before shifting to the main story. The cinematography reinforces the horror without feeling over-stylized, using dim lighting, tight framing, and cold color tones to build dread. The way the camera lingers just long enough on certain shots makes you feel like you’re watching something you shouldn’t be.
The acting is phenomenal across the board, but the standout performance is from Linda Blair as the possessed girl. She delivers a chilling performance that makes the supernatural feel shockingly real. Ellen Burstyn and Max von Sydow bring depth to their roles, adding weight to the film’s emotional core. The dialogue feels natural, which makes the disturbing moments hit even harder. The script is smartly written, giving just enough exposition without over-explaining, letting the horror unfold naturally.
The sound design and score elevate the entire experience. The use of silence is just as effective as the unsettling sounds that creep in at the right moments. The film’s signature theme, Tubular Bells, is simple yet haunting, perfectly setting the tone for the film. The shock scenes are well-timed and never feel excessive, keeping the horror grounded rather than over-the-top. The Exorcist still holds up today as one of the most well-crafted horror films ever made, blending strong storytelling, unsettling direction, and incredible performances into something unforgettable.
Official trailer 
