**Effective, functional and elegant, it has a script that I didn't like very much, and it has aged a little badly, but it remains an endearing film.**
This is surely one of the most famous romantic comedies that came out during the 90's, and one of the films that helped to popularize Tom Hanks, showing the world that he could be a serious actor and do more interesting things besides comedy. The film begins with a man and his young son moving to Seattle to deal with a mourning process. There, the child begins to pressure his father to find a girlfriend, to the point of calling a radio program where the father tells his story, touching a young journalist from Baltimore who is about to marry a man she doesn't love.
The script relies heavily on Platonism: the two main characters do not know each other, and only the radio broadcast and the exchange of letters truly connects them. Neither has any real reason to look for the other (Hanks' character sees physical distance as an obstacle, and Ryan's character is already committed). In the end, it is the tenacity and stubbornness of a child that leads them to find each other. Based purely on instinct, which is an illogical and irrational argument for an adult to make his decisions. For that reason, and despite recognizing the film's qualities, I didn't particularly appreciate it. I see and understand the attempt to create a contemporary romantic fable here, but fables don't really seem to work these days. For me, this one didn't work.
The film's great strength is in the excellent performances of Tom Hanks and Meg Ryan. The two are still quite young, trying to take advantage of the opportunity to achieve higher flights in more profitable and attractive projects for their careers. Hanks had mostly done comedy up until this point, and was determined to showcase his abilities in other projects. There is no doubt that he knew how to do it and show a deeper, more sensitive and emotional side that was not evident in his work so far. Ryan was also very competent in her role. Ross Malinger was also pretty good.
The film is not a great visual spectacle. It's a 90's movie that hasn't aged well and doesn't put much effort into the visuals. Proof of this are the graphics on that US map, which look like an arcade game. The cinematography is dull, and the colors washed out, but that was commonplace and routine in films of this era, and I take that reasonably well. The film tries to compensate us with excellent scenery and cityscapes of Seattle and New York, which is always effective, and with an excellent ending on top of the Empire State Building. The soundtrack makes a smart bet on songs by Sinatra, Nat “King” Cole, Celine Dion, Carly Simon, Roy Rogers and others. Most of the songs are well known and popular.Read more
**Effective, functional and elegant, it has a script that I didn't like very much, and it has aged a little badly, but it remains an endearing film.**
This is surely one of the most famous romantic comedies that came out during the 90's, and one of the films that helped to popularize Tom Hanks, showing the world that he could be a serious actor and do more interesting things besides comedy. The film begins with a man and his young son moving to Seattle to deal with a mourning process. There, the child begins to pressure his father to find a girlfriend, to the point of calling a radio program where the father tells his story, touching a young journalist from Baltimore who is about to marry a man she doesn't love.
The script relies heavily on Platonism: the two main characters do not know each other, and only the radio broadcast and the exchange of letters truly connects them. Neither has any real reason to look for the other (Hanks' character sees physical distance as an obstacle, and Ryan's character is already committed). In the end, it is the tenacity and stubbornness of a child that leads them to find each other. Based purely on instinct, which is an illogical and irrational argument for an adult to make his decisions. For that reason, and despite recognizing the film's qualities, I didn't particularly appreciate it. I see and understand the attempt to create a contemporary romantic fable here, but fables don't really seem to work these days. For me, this one didn't work.
The film's great strength is in the excellent performances of Tom Hanks and Meg Ryan. The two are still quite young, trying to take advantage of the opportunity to achieve higher flights in more profitable and attractive projects for their careers. Hanks had mostly done comedy up until this point, and was determined to showcase his abilities in other projects. There is no doubt that he knew how to do it and show a deeper, more sensitive and emotional side that was not evident in his work so far. Ryan was also very competent in her role. Ross Malinger was also pretty good.
The film is not a great visual spectacle. It's a 90's movie that hasn't aged well and doesn't put much effort into the visuals. Proof of this are the graphics on that US map, which look like an arcade game. The cinematography is dull, and the colors washed out, but that was commonplace and routine in films of this era, and I take that reasonably well. The film tries to compensate us with excellent scenery and cityscapes of Seattle and New York, which is always effective, and with an excellent ending on top of the Empire State Building. The soundtrack makes a smart bet on songs by Sinatra, Nat “King” Cole, Celine Dion, Carly Simon, Roy Rogers and others. Most of the songs are well known and popular.
Official trailer 
