Rabid

Reviews

• 

  John Chard

  Oct 16, 2014

  7
  Hydrophobic Induced Phallic Destroyer. Rabid is written and directed by David Cronenberg and it stars Marilyn Chambers, Frank Moore and Joe Silver. Cinematography is by Rene Verzier and music by Ivan Reitman. When Rose (Chambers) is involved in a horror motorcycle accident, she undertakes experimental surgery in order to save her life. However, she develops a taste for blood and has grown a deadly orifice under her armpit. As the victims stack up and Rose grows ever more insane, the city is put on red alert. David Cronenberg’s second full-length film continues the themes found in his smart debut Shivers from the previous year. Body horror and disease come to the fore but Cronenberg expands it out from the confines of one building, into a whole city! Once again operating with a small budget with great results, the director fills out the narrative with sweaty virus panic, intelligent barbs, addiction concerns and visceral nastiness, with the phallic destroyer under Rose’s arm a frighteningly bonkers creation. True to the director’s career peccadilloes, sex and violence also come under the microscope, while his camera work shows an inventiveness that off-sets the poor effects work. The city is suitably painted as dowdy so as to run concurrent with the diseased narrative, and porn star Chambers gives a very effective performance while others are merely adequate. A simple story and periods of sag and drag stop it being top of the line Cronenberg, but there’s a raw energy to Rabid that is most striking. Watching it now as it heads towards being four decades old, it signals with intent a career being born of a most skilled auteur. 7/10Read more

  Hydrophobic Induced Phallic Destroyer. Rabid is written and directed by David Cronenberg and it stars Marilyn Chambers, Frank Moore and Joe Silver. Cinematography is by Rene Verzier and music by Ivan Reitman. When Rose (Chambers) is involved in a horror motorcycle accident, she undertakes experimental surgery in order to save her life. However, she develops a taste for blood and has grown a deadly orifice under her armpit. As the victims stack up and Rose grows ever more insane, the city is put on red alert. David Cronenberg’s second full-length film continues the themes found in his smart debut Shivers from the previous year. Body horror and disease come to the fore but Cronenberg expands it out from the confines of one building, into a whole city! Once again operating with a small budget with great results, the director fills out the narrative with sweaty virus panic, intelligent barbs, addiction concerns and visceral nastiness, with the phallic destroyer under Rose’s arm a frighteningly bonkers creation. True to the director’s career peccadilloes, sex and violence also come under the microscope, while his camera work shows an inventiveness that off-sets the poor effects work. The city is suitably painted as dowdy so as to run concurrent with the diseased narrative, and porn star Chambers gives a very effective performance while others are merely adequate. A simple story and periods of sag and drag stop it being top of the line Cronenberg, but there’s a raw energy to Rabid that is most striking. Watching it now as it heads towards being four decades old, it signals with intent a career being born of a most skilled auteur. 7/10