The Sheriff

Reviews

• C

  Corbs1110

  Apr 2, 2026

  “The Sheriff” is one of those indie action films that immediately makes you appreciate what a filmmaker can do with limited resources. You feel right away that Director Josh Tessier has a background in stunts, because the action sequences have a physicality and intention that a lot of similar films just don’t. It’s gritty, raw, and has that lingering tone that sticks with you after the credits roll. Visually, it leans into a neo-Western style, with wide-angle closeups, textured lighting, and grounded location shooting that give the world a sense of authenticity. The inclusion of more stylized elements, like the visions tied to the Sheriff’s past, adds some nice variety and helps break up the otherwise grounded tone. On the performance side, Michael Edwards really carries the film. There’s a weariness to his portrayal of Sheriff Light that feels earned, and it anchors the emotional core of the story. Patrick Cage stood out to me as the deputy, bringing a steady, grounded presence to the supporting cast. It also took me a second to even recognize Tom Berenger as the Mayor, which says a lot about how well he disappears into the role. Mark Dacascos as Enzo is probably the most memorable supporting character, leaning into a more eccentric energy that helps break up the film’s otherwise serious tone. There’s a lot going on here, grief, conspiracy, family drama, procedural elements, and revenge, all packed into a relatively tight runtime. Because of that, the story can feel a bit dense without ever fully digging into any one thread. It often moves quickly from one plot point to the next, which keeps things engaging but doesn’t always give the emotional moments the space they need to really land. It tends to favor momentum over strict investigative logic, which might stand out depending on what you’re looking for. That said, the emotional core is still there, especially in the quieter moments. When the film slows down and focuses on grief, legacy, and the weight of the past, it feels the most grounded and effective. There’s a clear story about loss and redemption through the lens of a “lone lawman,” and it’s easy to connect with. Overall, “The Sheriff” is a solid and entertaining film to watch. There’s enough here in the performances, the visual style, and the tone to make it worth your time. If you enjoy gritty, character-driven crime dramas with a neo-Western edge, this is definitely one to check out. I’d definitely recommend it for a casual watch.Read more

  “The Sheriff” is one of those indie action films that immediately makes you appreciate what a filmmaker can do with limited resources. You feel right away that Director Josh Tessier has a background in stunts, because the action sequences have a physicality and intention that a lot of similar films just don’t. It’s gritty, raw, and has that lingering tone that sticks with you after the credits roll. Visually, it leans into a neo-Western style, with wide-angle closeups, textured lighting, and grounded location shooting that give the world a sense of authenticity. The inclusion of more stylized elements, like the visions tied to the Sheriff’s past, adds some nice variety and helps break up the otherwise grounded tone. On the performance side, Michael Edwards really carries the film. There’s a weariness to his portrayal of Sheriff Light that feels earned, and it anchors the emotional core of the story. Patrick Cage stood out to me as the deputy, bringing a steady, grounded presence to the supporting cast. It also took me a second to even recognize Tom Berenger as the Mayor, which says a lot about how well he disappears into the role. Mark Dacascos as Enzo is probably the most memorable supporting character, leaning into a more eccentric energy that helps break up the film’s otherwise serious tone. There’s a lot going on here, grief, conspiracy, family drama, procedural elements, and revenge, all packed into a relatively tight runtime. Because of that, the story can feel a bit dense without ever fully digging into any one thread. It often moves quickly from one plot point to the next, which keeps things engaging but doesn’t always give the emotional moments the space they need to really land. It tends to favor momentum over strict investigative logic, which might stand out depending on what you’re looking for. That said, the emotional core is still there, especially in the quieter moments. When the film slows down and focuses on grief, legacy, and the weight of the past, it feels the most grounded and effective. There’s a clear story about loss and redemption through the lens of a “lone lawman,” and it’s easy to connect with. Overall, “The Sheriff” is a solid and entertaining film to watch. There’s enough here in the performances, the visual style, and the tone to make it worth your time. If you enjoy gritty, character-driven crime dramas with a neo-Western edge, this is definitely one to check out. I’d definitely recommend it for a casual watch.